I am preparing several photographs for an upcoming exhibit in Frederick, Maryland. I have been inspired to go beyond the pictures themselves and create works of art that, while centered on the photographs, provide a context for the images as well.
Schism II (shown below) incorporates the photograph, Schism, but includes a handcrafted weathered oak crucifix as a base for the photo, and a wreath of vines (crown of thorns?) as a frame for the image, adding layers of meaning not available from the photograph standing alone.
Welcome to Nirvana (shown below) uses the photo of the same name as its basis, but the photo floats within the open space of a Japanese Torii gate, which I constructed using weathered oak, as its context. It is as if the traveler (the small figure in the lower right corner) has just passed through the Torii gate to come face to face with the object of his longing. Also, I used a subtly colorized version of Welcome to Nirvana to create this piece.